llustrating the recent exhibition Estranged / Obcy w domu, the author wonders if, and how, contemporary Polish visual art has contributed to integrating the shame of the anti-Semitic campaign into the collective memory of the nation. She focuses in particular on the works of three artists: Krystyna Piotrowska, Erna Rosenstein, and Krzysztof Wodiczko, and on how the exhibition represents some currents in visual studies linked to historical narrative.
Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018
Laura Quercioli
2019-01-01
Abstract
llustrating the recent exhibition Estranged / Obcy w domu, the author wonders if, and how, contemporary Polish visual art has contributed to integrating the shame of the anti-Semitic campaign into the collective memory of the nation. She focuses in particular on the works of three artists: Krystyna Piotrowska, Erna Rosenstein, and Krzysztof Wodiczko, and on how the exhibition represents some currents in visual studies linked to historical narrative.
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