COLOMBINO, LAURA
COLOMBINO, LAURA
100018 - Dipartimento di Lingue e culture moderne
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Risultati 1 - 13 di 13 (tempo di esecuzione: 0.013 secondi).
"To Inhabit in Tranquility": Landscape, Vision and Empathy in Ford Madox Ford's No Enemy
2019-01-01 Colombino, Laura
'We are horribly sensitive: Thomas Hardy e la psicofisica del sublime'
2005-01-01 Colombino, Laura
A Diston, la volgarità inglese
2014-01-01 Colombino, Laura
Consciousness and the nonhuman: the imaginary of the new brain sciences in Ian McEwan’s Nutshell and Machines Like Me
2022-01-01 Colombino, L.
Felicia Bonaparte, The Poetics of Poesis: The Making of Nineteenth-Century English Fiction.Charlottesville and London: U of Virginia P, 2015. Pp. xi + 322.
2018-01-01 Colombino, Laura
Fra teoria burkiana e nostalgie romantiche: il sublime naturale in Thomas Hardy
1998-01-01 Colombino, Laura
Motivi platonici in Non lasciarmi di Kazuo Ishiguro
2019-01-01 Colombino, Laura
Narrating the (non)human: ecologies, consciousness and myth
2022-01-01 Colombino, Laura; Childs, Peter
Negotiations with the system: J. G. Ballard and Geoff Ryman writing London's architecture
2006-01-01 Colombino, Laura
The body, the city, the global: spaces of catastrophe in Ian McEwan's Saturday
2017-01-01 Colombino, Laura
The house as skin: J.G. Ballard, Existentialism and Archigram's mini-environments
2012-01-01 Colombino, Laura
Transcending the Human Scale: Ruins and Traumatised Cultural Memory in Texts on London by Michael Moorcock and Iain Sinclair
2007-01-01 Colombino, Laura
Vermeulen Pieter, Contemporary Literature and the End of the Novel: Creature, Affect, Form, New York: Palgrave Macmillan, 2015, pp. 182. Hardcover [ISBN 978-1-137-41452-6]
2017-01-01 Colombino, Laura