This article aims to investigate the influence that ancient literature has had and has on the visual arts and to try to analyze the link between the myth 'narrated' by literary sources, primarily Livio, and the knowledge of the client, Negrone Di Negro, and the artist, Luca Cambiaso, at the time of the execution of a very precious fresco, depicting the Rape of the Sabine Women, located in the first floor hall of Villa Cattaneo Imperiale in Genova.
Il recupero di un mito liviano. Il Ratto delle Sabine
maria federica petraccia
2022-01-01
Abstract
This article aims to investigate the influence that ancient literature has had and has on the visual arts and to try to analyze the link between the myth 'narrated' by literary sources, primarily Livio, and the knowledge of the client, Negrone Di Negro, and the artist, Luca Cambiaso, at the time of the execution of a very precious fresco, depicting the Rape of the Sabine Women, located in the first floor hall of Villa Cattaneo Imperiale in Genova.
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