A Fascinating, Elusive, Frustrating Otherness. Sweden in Italian Films of the Early 1960s.

In the late 1950s and the early 1960s, Italy was experiencing its post-war transformation from a largely agrarian, relatively poor nation into one of the most economically and socially advanced countries of the world, whose role in the international scenario grew in importance, especially in the founding of the future European Union. In a rapidly changing society – even as regarded social customs – there increased the curiosity about the way other people and countries approached modernity. Sweden (often standing for the whole Scandinavia) was still an ‘exotic’ area for Italian public, included most intellectuals. My contribution focuses on three movies of the early 1960s (Le svedesi; Il diavolo; Nude, calde e pure), with further hints at the ‘Swedish’ element in other films of the 1960s and 1970s, in order to highlight and discuss how the image of Sweden is stereotyped (as well as problematized) in these relevant Italian works.