The aim of this essay is to discuss D.H. Lawrence's Women in Love (1920) in a European Modernist context, touching on the early twentieth century European avant-garde, including Post-Impressionism, Expressionism, Futurism, Cubism and Vorticism to highlight the radicalism of Lawrence's novel within a many-pointed matrix of contemporary modernist influences.
...The Going Round / And Round and Round .../ Until Merely Going Round Is a Final Good: D.H. Lawrence's Women in Love in a European Modernist Perspective
Stefania MIchelucci
2019-01-01
Abstract
The aim of this essay is to discuss D.H. Lawrence's Women in Love (1920) in a European Modernist context, touching on the early twentieth century European avant-garde, including Post-Impressionism, Expressionism, Futurism, Cubism and Vorticism to highlight the radicalism of Lawrence's novel within a many-pointed matrix of contemporary modernist influences.
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