Su Tulsa di Larry Clark, Shantelle Jennings e l'Iperfotografia

This paper focuses on the story of Shantelle Jennings, an american orphan woman who discovers the historyof her own family through Larry Clark’s Tulsa. Her tale discloses a particular kind of personal fruition of theartwork, enough to became exceptional, both in literal and metaphorical meaning. This kind of exceptionality is strictly bound with the new way of use of photographic images in the new media convergence era (Fred Richtin’s hyperphotography). In the paper I specify also other cases where this kind of exhorbitant narration happens, as the example of Kid’s cast, whose personal stories are extremely useful to understand the artistic text in its narrative and temporal complexity.