In my essay I will primarily deal with the theoretical treatment of slave narratives written by women through an overview of the recent debate on why women had a “different story to tell” from those of formerly enslaved black men. I will then consider two texts, Harriet Jacob’s Incidents in the Life of a Slave Girl: Written by Herself published in 1861 and Toni Morrison’s Beloved published in 1987, both exemplary texts respectively of the autobiographical writing by slave women and of the “neo-slave narrative”, contemporary novels that illustrate the centrality of the history and the memory of slavery to United States individual, racial, gender, cultural and national identities.

Runaway Women Slaves: From Slave Narratives to Contemporary Rewritings

paola nardi
2014-01-01

Abstract

In my essay I will primarily deal with the theoretical treatment of slave narratives written by women through an overview of the recent debate on why women had a “different story to tell” from those of formerly enslaved black men. I will then consider two texts, Harriet Jacob’s Incidents in the Life of a Slave Girl: Written by Herself published in 1861 and Toni Morrison’s Beloved published in 1987, both exemplary texts respectively of the autobiographical writing by slave women and of the “neo-slave narrative”, contemporary novels that illustrate the centrality of the history and the memory of slavery to United States individual, racial, gender, cultural and national identities.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11567/1021418
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