In my essay I will primarily deal with the theoretical treatment of slave narratives written by women through an overview of the recent debate on why women had a “different story to tell” from those of formerly enslaved black men. I will then consider two texts, Harriet Jacob’s Incidents in the Life of a Slave Girl: Written by Herself published in 1861 and Toni Morrison’s Beloved published in 1987, both exemplary texts respectively of the autobiographical writing by slave women and of the “neo-slave narrative”, contemporary novels that illustrate the centrality of the history and the memory of slavery to United States individual, racial, gender, cultural and national identities.
Runaway Women Slaves: From Slave Narratives to Contemporary Rewritings
paola nardi
2014-01-01
Abstract
In my essay I will primarily deal with the theoretical treatment of slave narratives written by women through an overview of the recent debate on why women had a “different story to tell” from those of formerly enslaved black men. I will then consider two texts, Harriet Jacob’s Incidents in the Life of a Slave Girl: Written by Herself published in 1861 and Toni Morrison’s Beloved published in 1987, both exemplary texts respectively of the autobiographical writing by slave women and of the “neo-slave narrative”, contemporary novels that illustrate the centrality of the history and the memory of slavery to United States individual, racial, gender, cultural and national identities.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.