A questionnaire sent by email, twenty artists and writers responded. An interrogation on what motivates the hybridization of artistic and literary practices today. This issue presents a look at the interweaving of the arts from the point of view of those who are its creators - cinema, photography, visual and digital arts, comics, performing arts, music, literature. Sandy Amerio, Nicole Caligaris, Thomas Clerc, François Emmanuel, Hélène Frédérick, Jérôme Game, Anne-Marie Garat, Christian Garcin, Max Geneva, Adrien Goetz, Gaëlle Josse, Valérie Mréjen, Emmanuelle Pireyre, Henri Raczymow, Mathieu Riboulet, Olivia Rosenthal, Pierre Senges, Jean-Philippe Toussaint, Benoît Vincent and Cécile Wajsbrot reveal the intimate relationship that is created between their writing work and other forms of artistic creation. This volume was developed with the aim of strengthening an ever closer dialogue between critics, artists and writers. Both literary questionnaire and field survey, the challenge of this book is to enter the creative workshops, to discover ways of doing on which theorists can sharpen their tools. Taken in two parts, the issue is composed of the answers gathered in four large groups and the presentation of the relationship between arts and literature in the works of each participant. An iconographic apparatus echoes their words and the critical course they create, forming an editorial object itself intermedial.

La littérature et les arts : paroles d’écrivain.e.s

Bricco E.;Rolla C.;Amatulli M.
2019-01-01

Abstract

A questionnaire sent by email, twenty artists and writers responded. An interrogation on what motivates the hybridization of artistic and literary practices today. This issue presents a look at the interweaving of the arts from the point of view of those who are its creators - cinema, photography, visual and digital arts, comics, performing arts, music, literature. Sandy Amerio, Nicole Caligaris, Thomas Clerc, François Emmanuel, Hélène Frédérick, Jérôme Game, Anne-Marie Garat, Christian Garcin, Max Geneva, Adrien Goetz, Gaëlle Josse, Valérie Mréjen, Emmanuelle Pireyre, Henri Raczymow, Mathieu Riboulet, Olivia Rosenthal, Pierre Senges, Jean-Philippe Toussaint, Benoît Vincent and Cécile Wajsbrot reveal the intimate relationship that is created between their writing work and other forms of artistic creation. This volume was developed with the aim of strengthening an ever closer dialogue between critics, artists and writers. Both literary questionnaire and field survey, the challenge of this book is to enter the creative workshops, to discover ways of doing on which theorists can sharpen their tools. Taken in two parts, the issue is composed of the answers gathered in four large groups and the presentation of the relationship between arts and literature in the works of each participant. An iconographic apparatus echoes their words and the critical course they create, forming an editorial object itself intermedial.
2019
Un questionnaire envoyé par courriel, vingt artistes et écrivain.e.s ont répondu. Une interrogation sur ce qui motive l’hybridation des pratiques artistiques et littéraires aujourd’hui. Cet ouvrage présente un regard sur les entrecroisements des arts du point de vue de ceux qui en sont les auteur.e.s - cinéma, photographie, arts visuels et numériques, bande dessinée, arts de la scène, musique, littérature. Sandy Amerio, Nicole Caligaris, Thomas Clerc, François Emmanuel, Hélène Frédérick, Jérôme Game, Anne-Marie Garat, Christian Garcin, Max Genève, Adrien Goetz, Gaëlle Josse, Valérie Mréjen, Emmanuelle Pireyre, Henri Raczymow, Mathieu Riboulet, Olivia Rosenthal, Pierre Senges, Jean-Philippe Toussaint, Benoît Vincent, Cécile Wajsbrot révèlent le rapport intime qui se crée entre leur travail d’écriture et d’autres formes de création artistique. Ce volume a été élaboré dans le souci de resserrer un dialogue toujours plus étroit entre la critique, les artistes et les écrivain.e.s. À la fois questionnaire littéraire et enquête de terrain, l’enjeu de cet ouvrage est d’entrer dans les ateliers de création, afin d’y découvrir des manières de faire sur lesquelles les théoriciens puissent affûter leurs outils. Ceint en deux parties, l'ouvrage se compose des réponses rassemblées en quatre grands ensembles et de la présentation de la relation entre arts et littérature dans les œuvres de chacun.e des participant.e.s. Un apparat iconographique fait écho à leurs propos et au parcours critique qu’ils suscitent, formant un objet éditorial lui-même intermédial.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11567/972933
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