The present contribution examines the characteristics and reasons for the recurrence in graphic language of plane tessellation that can be assimilated to isometric orthogonal axonometry: a peculiar case where the two-dimensional configuration acquires a three-dimensional meaning. Known since ancient times, its suggestive effects were used in a series of artistic expressions in the twentieth century as well as in the graphic language of today’s music videos.

Between the second and third dimension: isometric configuration in art

CANDITO Cristina;MELONI Alessandro
2019-01-01

Abstract

The present contribution examines the characteristics and reasons for the recurrence in graphic language of plane tessellation that can be assimilated to isometric orthogonal axonometry: a peculiar case where the two-dimensional configuration acquires a three-dimensional meaning. Known since ancient times, its suggestive effects were used in a series of artistic expressions in the twentieth century as well as in the graphic language of today’s music videos.
2019
978-80-227-4884-1
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11567/939418
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