The present contribution examines the characteristics and reasons for the recurrence in graphic language of plane tessellation that can be assimilated to isometric orthogonal axonometry: a peculiar case where the two-dimensional configuration acquires a three-dimensional meaning. Known since ancient times, its suggestive effects were used in a series of artistic expressions in the twentieth century as well as in the graphic language of today’s music videos.
|Titolo:||Between the second and third dimension: isometric configuration in art|
|Data di pubblicazione:||2019|
|Appare nelle tipologie:||04.01 - Contributo in atti di convegno|