CINECA IRIS Institutional Research Information System
IRIS è la soluzione IT che facilita la raccolta e la gestione dei dati relativi alle attività e ai prodotti della ricerca. Fornisce a ricercatori, amministratori e valutatori gli strumenti per monitorare i risultati della ricerca, aumentarne la visibilità e allocare in modo efficace le risorse disponibili.
EnglishThis work considers an aspect, almost unexplored, of the great culture of the Austrian fin-de-siècle (better Viennese): that flowering of a theatrical genre, the cabaret, which was able to conciliate several artistic expressions (from dramaturgy to mime, from music to dance) in the sign of an often sharp satire of the everyday life seen as a ‘minor history’ in which, however, the values of the ‘greatest History’ were questioned. That way, now engulfed with the wreckage of the Habsburg world, maintains still now a surprisingly vitality especially when compared to the ‘way of the main characters’ of the most important country representative of the ‘Modern’: the names of Schnitzler, Hofmannstahl, Kafka, Broch, Musil circulate as worrying but also familiar presences in that way of doing theatre which was led, with persistence on the edge of an ‘announced’ disaster.
Scheda prodotto non validato
Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo
| Titolo: | Le arti a confronto. Cabaret e letteratura nella Vienna dell’ultimo Ottocento |
| Autori: | |
| Data di pubblicazione: | 2003 |
| Abstract: | This work considers an aspect, almost unexplored, of the great culture of the Austrian fin-de-siècle (better Viennese): that flowering of a theatrical genre, the cabaret, which was able to conciliate several artistic expressions (from dramaturgy to mime, from music to dance) in the sign of an often sharp satire of the everyday life seen as a ‘minor history’ in which, however, the values of the ‘greatest History’ were questioned. That way, now engulfed with the wreckage of the Habsburg world, maintains still now a surprisingly vitality especially when compared to the ‘way of the main characters’ of the most important country representative of the ‘Modern’: the names of Schnitzler, Hofmannstahl, Kafka, Broch, Musil circulate as worrying but also familiar presences in that way of doing theatre which was led, with persistence on the edge of an ‘announced’ disaster. |
| Handle: | http://hdl.handle.net/11567/885612 |
| ISBN: | 88-211-6568-X |
| Appare nelle tipologie: | 03.01 - Monografia o trattato scientifico |
File in questo prodotto:
Copyright © 2020