Composition, drawing, order, even expertly orchestrated disorder - more than design in and of itself - are the features upon which, from the times of ancient Greece, and then from those of Brunelleschi, architecture has founded its conditions of existence. Since then, architecture has been recognized as an island of recognizable compositional intentionality, placed on an ideal pedestal, emerging in the midst of a sea of 'unqualified' ordinariness. But this also means that ordinariness has forever been the ontological condition of any manufacture giving itself the name of “architecture”.

Cellophane - L’architettura come differenza

GALLI, GIOVANNI
2015-01-01

Abstract

Composition, drawing, order, even expertly orchestrated disorder - more than design in and of itself - are the features upon which, from the times of ancient Greece, and then from those of Brunelleschi, architecture has founded its conditions of existence. Since then, architecture has been recognized as an island of recognizable compositional intentionality, placed on an ideal pedestal, emerging in the midst of a sea of 'unqualified' ordinariness. But this also means that ordinariness has forever been the ontological condition of any manufacture giving itself the name of “architecture”.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11567/869869
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