The purpose of this essay is to outline a particular evolution path of digital achievements and improvements in architecture. The author depicts the historical emergence of the digital in architecture presenting a sequence of world-renowned and pioneering researches focusing the dissertation on the materiality feature of the digital designs. The author paraphrases several scientific papers and books using the designer’s words to support his story telling. In this way, this chapter proposes not only an illustration of several researches that go beyond the boundaries of computational thought. The author argues his standpoint that is the awareness of materiality as the substantial feature of architecture. The digital tools and any further related improvement of powerful parametric logics for design require the physical objecthood of fabrication to really enrich architecture. The chapter does not illustrate an own research project; it neither aims to establish a digital workflow for the digital fabrication of architecture. Rather it aims to highlight the fallacy of digital productions (in the meaning of simplistic virtual representation), pointing out the material instance as the address of the advancing of the digital as a method. The increasing availability of technical equipment kits should not be confused with the potential of the computation for architecture. According to these premises, it is necessary to start to examine some of the cornerstones of the last century to support the validation of digital fabrication and robotics as a powerful research field.

The Post-Parametric Attitude in the Digital Materialization of Architecture: Beyond the Automation in Representation towards the Emerging Digital Fabrication

QUARTARA, ANDREA
2016-01-01

Abstract

The purpose of this essay is to outline a particular evolution path of digital achievements and improvements in architecture. The author depicts the historical emergence of the digital in architecture presenting a sequence of world-renowned and pioneering researches focusing the dissertation on the materiality feature of the digital designs. The author paraphrases several scientific papers and books using the designer’s words to support his story telling. In this way, this chapter proposes not only an illustration of several researches that go beyond the boundaries of computational thought. The author argues his standpoint that is the awareness of materiality as the substantial feature of architecture. The digital tools and any further related improvement of powerful parametric logics for design require the physical objecthood of fabrication to really enrich architecture. The chapter does not illustrate an own research project; it neither aims to establish a digital workflow for the digital fabrication of architecture. Rather it aims to highlight the fallacy of digital productions (in the meaning of simplistic virtual representation), pointing out the material instance as the address of the advancing of the digital as a method. The increasing availability of technical equipment kits should not be confused with the potential of the computation for architecture. According to these premises, it is necessary to start to examine some of the cornerstones of the last century to support the validation of digital fabrication and robotics as a powerful research field.
2016
9781522500292
9781522500308
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11567/846790
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