"Artifici Intelligenti e Intelligenze Artificiali" Spazio Scenico e Digitalità: una riflessione

In the expanded panorama of the connections between AI and performing arts - now plausibly defined as hyper-increased - a tangent of thought looking at the development of new transmedia practices not necessarily related to the concept of stage writing, is identifiable. While the development of AI is necessarily fueling the debate about what and how many changes are taking place within the representative paradigm, on the other hand it could be true that a further gap is beginning to be perceived, that is the intrinsic development of a transmedia acquisition and reading of the spectacular event. After an overview of the new "artificial and artful" paradigms fully investing the contemporary performative representation mode, the paper intends to propose a reflection on how much digitality - here understood in the measure of now sanctioned forma mentis relative to the reading and perception of the performative event - is invading and engulfing the field "spectator" even before this is proposed as a perceptive subject of the theatrical experience. Through the classification of two case studies of essentially different nature, the contribution intends to advance a reflection of a nonempirical nature but closely linked to the development of methodological dynamics of analysis of the current paradigm of creation and use of the performative event re-created, influenced, and deciphered by the trans medial instance.