José Ángel Ascunce, in his exploration of the exilic experience, emphasizes the inevitability of considering the myth of the lost paradise. According to him, "There is no myth that better reflects and more accurately encapsulates the phenomenon and characteristics of exile as a cultural symbol and as an ontological, existential, and historical reality" (2008). A considerable number of exiled authors have, in fact, delved into this theme in their literature, wherein the myth of paradise essentially comes to signify not only the homeland but also the childhood and innocence lost due to war. Furthermore, second-generation exiles have continued to elaborate on this myth, despite the physical and temporal distance from the "paradise" described by their parents. In their works, this timeless myth has started to assume meanings both similar to and distinct from those of the previous generation.

El mito del paraíso perdido en la obra de los exiliados republicanos de segunda generación

A. Cassani
2023-01-01

Abstract

José Ángel Ascunce, in his exploration of the exilic experience, emphasizes the inevitability of considering the myth of the lost paradise. According to him, "There is no myth that better reflects and more accurately encapsulates the phenomenon and characteristics of exile as a cultural symbol and as an ontological, existential, and historical reality" (2008). A considerable number of exiled authors have, in fact, delved into this theme in their literature, wherein the myth of paradise essentially comes to signify not only the homeland but also the childhood and innocence lost due to war. Furthermore, second-generation exiles have continued to elaborate on this myth, despite the physical and temporal distance from the "paradise" described by their parents. In their works, this timeless myth has started to assume meanings both similar to and distinct from those of the previous generation.
2023
Como escribe José Ángel Ascunce, a la hora de estudiar el hecho exiliar no se puede evitar considerar el mito del paraíso perdido, ya que “No existe un mito que refleje mejor y con más precisión el fenómeno y las características del exilio como símbolo cultural y como realidad ontológica, existencial e histórica” (2008). Casi todos los autores exiliados, de hecho, han abordado esta temática en su literatura, en la cual el mito del paraíso ha venido a significar básicamente la patria, pero también la infancia y la inocencia perdidas con la guerra. Algunos de los exiliados de segunda generación han seguido declinando este mito, a pesar de la distancia física y temporal del “paraíso” descrito por sus padres. En sus obras, este mito eterno ha empezado a adquirir unos significados semejantes y al mismo tiempo distinto de la generación anterior.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11567/1155779
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