The action of the cut, as break, and as frame, and as mode of momentary capture, in both cinema and architecture, creates interstitial zones that demand of us a critical and creative re-interrogation of our local environment- worlds. The ethos of this approach, we argue, can be aligned with feminist practices re- emerging in architecture, specifically through the concept-tool of the feminist design power tool. Power here is less the power over another, than a capacity to act in a world in ethical relation to others. Any cut must by necessity be a selective cut, a choice must be made and this brings in the question of both an immanent ethics, and the capacity for immanent critique: how do we make the best of the choices we make?

AC+ Agri-Cultures, Agro-Cities, Eco-productive Landscapes. Agricultural Parks as Key Studies. Barcellona - Llobregat. Liguria - Albenga

Tucci Giorgia
2018

Abstract

The action of the cut, as break, and as frame, and as mode of momentary capture, in both cinema and architecture, creates interstitial zones that demand of us a critical and creative re-interrogation of our local environment- worlds. The ethos of this approach, we argue, can be aligned with feminist practices re- emerging in architecture, specifically through the concept-tool of the feminist design power tool. Power here is less the power over another, than a capacity to act in a world in ethical relation to others. Any cut must by necessity be a selective cut, a choice must be made and this brings in the question of both an immanent ethics, and the capacity for immanent critique: how do we make the best of the choices we make?
978-1-945150-28-9
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11567/1007466
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