The present contribution examines the characteristics and reasons for the recurrence in graphic language of plane tessellation that can be assimilated to isometric orthogonal axonometry: a peculiar case where the two-dimensional configuration acquires a three-dimensional meaning. Known since ancient times, its suggestive effects were used in a series of artistic expressions in the twentieth century as well as in the graphic language of today’s music videos.
Between the second and third dimension: isometric configuration in art
CANDITO Cristina;
2019-01-01
Abstract
The present contribution examines the characteristics and reasons for the recurrence in graphic language of plane tessellation that can be assimilated to isometric orthogonal axonometry: a peculiar case where the two-dimensional configuration acquires a three-dimensional meaning. Known since ancient times, its suggestive effects were used in a series of artistic expressions in the twentieth century as well as in the graphic language of today’s music videos.
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