The contribution is an essay wondering which must be the method and the quality of the historiographical approach to the landscape subjects. Going on with the same thin irony seized in the title “ Il paesaggio riconosciuto “ by Santino Langè , representing some aspects, the author warns against the abstraction risks due to the appearances and prejudices when we speak about the landscape. The landscape is real, not an invention, an idea of ours, often it isn't what it appears. For this reason people try to profane the boundaries of the appearance and prejudice, which seem impassable today, from time to time taking clear instances gathered from land to land. From the word land used in the current language in a wholly improper way, to the recall that landscape derives from land, to the horizontal plane as the first form of real concreteness, fit to the person. The author ends by the invention of the antilandscape, created by the chaos and by all the inventions due to the appearance and prejudice.

Confini violati: al di là delle sembianze e del preconcetto. Tracce ed esempi scelti e raccolti di paese in paese.

CITI, DUILIO
2008-01-01

Abstract

The contribution is an essay wondering which must be the method and the quality of the historiographical approach to the landscape subjects. Going on with the same thin irony seized in the title “ Il paesaggio riconosciuto “ by Santino Langè , representing some aspects, the author warns against the abstraction risks due to the appearances and prejudices when we speak about the landscape. The landscape is real, not an invention, an idea of ours, often it isn't what it appears. For this reason people try to profane the boundaries of the appearance and prejudice, which seem impassable today, from time to time taking clear instances gathered from land to land. From the word land used in the current language in a wholly improper way, to the recall that landscape derives from land, to the horizontal plane as the first form of real concreteness, fit to the person. The author ends by the invention of the antilandscape, created by the chaos and by all the inventions due to the appearance and prejudice.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11567/234934
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