The essay looks at the visual in Ford Madox Ford's The Good Soldier pointing to the often ignored relationships between modernist art/literarure and mass culture with a special emphasis on the dialectics of the originality of the work of art vs the reproduction and circulation of exchangeable simulacra. These appear in the book under the guise of photographs and consumer goods but are also shown as affecting the representation of subjects.
Photography and Other Simulacra in The Good Soldier
COLOMBINO, LAURA
2002-01-01
Abstract
The essay looks at the visual in Ford Madox Ford's The Good Soldier pointing to the often ignored relationships between modernist art/literarure and mass culture with a special emphasis on the dialectics of the originality of the work of art vs the reproduction and circulation of exchangeable simulacra. These appear in the book under the guise of photographs and consumer goods but are also shown as affecting the representation of subjects.
File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
